For Two Flutes. Composed by Robert Maggio (1964-). Contemporary. Set of performance scores. With Standard notation. Composed 2014. 8 pages. Duration 2 minutes. Theodore Presser Company #114-41786. Published by Theodore Presser Company (PR.114417860).

The complete 17 Grands Exercices Journaliers with Practice Strategies and Expanded Exercises. Composed by Philippe Gaubert Paul Taffanel. Edited by Jasmine Choi. Theodore Presser Company #414-41239. Published by Theodore Presser Company

By Anonymous. Arranged by Robert Suderburg. For SATB Chorus, Organ Rehearsal. Piano reduction/vocal score. Standard notation. 12 pages. Published by Theodore Presser Company

Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, Flute 1, Flute 2, Flute 3, Horn 1, Horn 2, Horn 3, Horn 4, Oboe 1, Oboe 2, Oboe 3, Percussion 1, Percussion 2, Piano, Piccolo, Timpani, Trombone 1, Trombone 2, Trombone 3, Trumpet 1 and more.

SKU: PR.44641215L

Composed by Donald Erb. With Standard notation. 50 pages. Theodore Presser Company #446-41215L. Published by Theodore Presser Company (PR.44641215L).

11 x 17 inches.

Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, Flute 1, Flute 2, Flute 3, Horn 1, Horn 2, Horn 3, Horn 4, Oboe 1, Oboe 2, Oboe 3, Percussion 1, Percussion 2, Piano, Piccolo, Timpani, Trombone 1, Trombone 2, Trombone 3, Trumpet 1 and more.

SKU: PR.446412150

Composed by Donald Erb. With Standard notation. 52 pages. Theodore Presser Company #446-41215. Published by Theodore Presser Company (PR.446412150).

UPC: 680160607440. 9 x 12 inches.

Orchestra Bass Trombone, Bassoon 1, Bassoon 2, Clarinet 1, Contrabass, Flute 2, Harp, Horn 1, Horn 2, Oboe 2, Percussion 1, Percussion 2, Piano, Piccolo, Timpani, Trumpet 1, Trumpet 2, Viola, Violin 1, Violin 2, Violoncello, tenor Trombone

SKU: PR.11640342S

For Orchestra. Composed by Clint Needham. Study Score. 54 pages. Duration 9 minutes. Theodore Presser Company #116-40342S. Published by Theodore Presser Company (PR.11640342S).

UPC: 680160687749.

The Body Electric draws its inspiration from great American poet, Walt Whitman's work I Sing the Body Electric. Two years earlier, while writing a setting of Whitman's Crossing Brooklyn Ferry for baritone and chamber orchestra, I became enamored with many of the poems from his collection, The Leaves of Grass. I had not revisited Whitman's poetry since high school and that distance provided a fresh look at Whitman's poetry. In the spring of 2009, I came back to this collection and decided to write another work inspired by Whitman's poetry, this time for chamber orchestra alone. Writing a work that attempted to capture the mood of this epic poem seemed impossible. Because of the inherent abstract nature of text-less music, writing a work that was a musical blow-by-blow of the poem seemed equally impossible. For me, the solution was to take three fragments of the poem and focus on conveying their particular moods. In the score, I have included the following lines at the beginning of each section: the Body electric, A divine nimbus exhales, and the Body at auction. the Body Electric was written for the 2009 Wellesley College Composers Conference and was premiered on the final concert of the conference with Jim Baker conducting. Clint Needham.
the Body Electric draws its inspiration from great American poet, Walt Whitman’s work I Sing theBody Electric. Two years earlier, while writing a setting of Whitman’s Crossing Brooklyn Ferry forbaritone and chamber orchestra, I became enamored with many of the poems from his collection,The Leaves of Grass. I had not revisited Whitman’s poetry since high school and that distanceprovided a fresh look at Whitman’s poetry. In the spring of 2009, I came back to this collectionand decided to write another work inspired by Whitman’s poetry, this time for chamber orchestraalone.Writing a work that attempted to capture the mood of this epic poem seemed impossible. Becauseof the inherent abstract nature of text-less music, writing a work that was a musical blow-by-blowof the poem seemed equally impossible. For me, the solution was to take three fragments of thepoem and focus on conveying their particular moods. In the score, I have included the followinglines at the beginning of each section: the Body electric, A divine nimbus exhales, and the Bodyat auction.the Body Electric was written for the 2009 Wellesley College Composers Conference and waspremiered on the final concert of the conference with Jim Baker conducting.Clint Needham.

Orchestra Bass Trombone, Bassoon 1, Bassoon 2, Clarinet 1, Contrabass, Flute 2, Harp, Horn 1, Horn 2, Oboe 2, Percussion 1, Percussion 2, Piano, Piccolo, Timpani, Trumpet 1, Trumpet 2, Viola, Violin 1, Violin 2, Violoncello, tenor Trombone

SKU: PR.11640342L

For Orchestra. Composed by Clint Needham. Large Score. 54 pages. Duration 9 minutes. Theodore Presser Company #116-40342L. Published by Theodore Presser Company (PR.11640342L).

UPC: 680160687756.

The Body Electric draws its inspiration from great American poet, Walt Whitman's work I Sing the Body Electric. Two years earlier, while writing a setting of Whitman's Crossing Brooklyn Ferry for baritone and chamber orchestra, I became enamored with many of the poems from his collection, The Leaves of Grass. I had not revisited Whitman's poetry since high school and that distance provided a fresh look at Whitman's poetry. In the spring of 2009, I came back to this collection and decided to write another work inspired by Whitman's poetry, this time for chamber orchestra alone. Writing a work that attempted to capture the mood of this epic poem seemed impossible. Because of the inherent abstract nature of text-less music, writing a work that was a musical blow-by-blow of the poem seemed equally impossible. For me, the solution was to take three fragments of the poem and focus on conveying their particular moods. In the score, I have included the following lines at the beginning of each section: the Body electric, A divine nimbus exhales, and the Body at auction. the Body Electric was written for the 2009 Wellesley College Composers Conference and was premiered on the final concert of the conference with Jim Baker conducting. Clint Needham.
the Body Electric draws its inspiration from great American poet, Walt Whitman’s work I Sing theBody Electric. Two years earlier, while writing a setting of Whitman’s Crossing Brooklyn Ferry forbaritone and chamber orchestra, I became enamored with many of the poems from his collection,The Leaves of Grass. I had not revisited Whitman’s poetry since high school and that distanceprovided a fresh look at Whitman’s poetry. In the spring of 2009, I came back to this collectionand decided to write another work inspired by Whitman’s poetry, this time for chamber orchestraalone.Writing a work that attempted to capture the mood of this epic poem seemed impossible. Becauseof the inherent abstract nature of text-less music, writing a work that was a musical blow-by-blowof the poem seemed equally impossible. For me, the solution was to take three fragments of thepoem and focus on conveying their particular moods. In the score, I have included the followinglines at the beginning of each section: the Body electric, A divine nimbus exhales, and the Bodyat auction.the Body Electric was written for the 2009 Wellesley College Composers Conference and waspremiered on the final concert of the conference with Jim Baker conducting.Clint Needham.

SATB choir, voice solo, organ accompaniment, violin 1 & 2, viola, cello, double bass - Early intermediate

SKU: GI.G-10913

Es ist ein Ros' entsprungen. Composed by Heinrich Herzogenberg. Edited by William Bullock. Arranged by Michael Praetorius. Advent, Advent 4 A, Advent 4 B, Advent 4 C, Christmas Vigil, Christmas Night, Mary Mother of God. Christmas. Tune Name: Es Ist Ein Ros' Entsprungen. Sacred. Octavo. 12 pages. GIA Publications #10913. Published by GIA Publications (GI.G-10913).

English, German. Text Source: Recitative: Luke 2:5b&ndash,7, Luther Bible, English tr. William J. Bullock. Chorus: 15th c. German folk carol, English tr. Theodore Baker, 1853&ndash,1934, alt. WJB; Translation: Theodore Baker. Scripture: Luke 2:5b–7.

Violin 1, violin 2, viola, cello, double bass

SKU: GI.G-10913INST

Composed by Heinrich Herzogenberg. Edited by William Bullock. Arranged by Michael Praetorius. Advent 4 A, Advent 4 B, Advent 4 C, Christmas Vigil, Christmas Night, Mary Mother of God. Sacred. Full score and parts. 20 pages. GIA Publications #10913INST. Published by GIA Publications (GI.G-10913INST).

Text Source: Recitative: Luke 2:5b&ndash,7, Luther Bible, English tr. William J. Bullock. Chorus: 15th c. German folk carol, English tr. Theodore Baker, 1853&ndash,1934, alt. WJB; Translation: Theodore Baker.

SATB choir, keyboard accompaniment - Intermediate

SKU: GI.G-9512

Arranged by David Simmons. Advent. Christmas. Tune Name: Es Ist Ein' Ros' Entsprungen. Sacred. Octavo. 12 pages. GIA Publications #9512. Published by GIA Publications (GI.G-9512).

UPC: 785147951209. English. Text Source: Es ist ein' Ros' entsprungen, Speyer Gesangbuch, 1599, sts. 1–2, tr. Theodore Baker, 1851–1934, alt., st. 3, tr. The Hymnal, 1940, alt.; Translation: Theodore Baker.

The harmonies seem familiar in this setting, yet the voicing is fresh and inviting. The gentle, twinkling piano part, particularly between verses, creates a beautiful contrast to the more sustained homophony of the choir.

Trumpet 1 in B-flat, trumpet 1 in C, trumpet 2 in B-flat, trumpet 2 in C, trombone 1, trombone 2, timpani

SKU: GI.G-10483INST

Arranged by Edward Eicker. Tune Name: Kremser. Sacred. Full score and instrumental parts. GIA Publications #10483INST. Published by GIA Publications (GI.G-10483INST).

UPC: 785147048398. Text Source: Wilt heden nu treden, Dutch folk hymn, tr. Theodore Baker, 1851–1934 alt.; Translation: Theodore Baker.

SAB choir, assembly, organ accompaniment, trumpet 1 in B-flat, trumpet 1 in C, trumpet 2 in B-flat, trumpet 2 in C, trombone 1, trombone 2, timpani - Early intermediate

SKU: GI.G-10483

Arranged by Edward Eicker. Choral. Tune Name: Kremser. Sacred. Octavo. 12 pages. GIA Publications #10483. Published by GIA Publications (GI.G-10483).

English. Text Source: Wilt heden nu treden, Dutch folk hymn, tr. Theodore Baker, 1851&ndash,1934 alt.; Translation: Theodore Baker.

Chamber Music 2 flutes

SKU: PR.114418600

Volume I, Fantasias 1-6. Composed by Georg Philipp Telemann. Arranged by Sharon Sparrow Jeffery Zook. Set of performance scores. 56+56 pages. Duration 20 minutes. Theodore Presser Company #114-41860. Published by Theodore Presser Company (PR.114418600).

ISBN 9781491111543. UPC: 680160642656.

Telem ann for Two Volume I, Fantasias 1-6 arranged for Two FlutesWhat could be more delightful than playing Telemann duets, or playing the Telemann Fantasias? Sharon Sparrow and Jeffery Zook have created a remarkable set of duet adaptations of the Fantasias,sounding as if Telemann himself had composed them as two-part inventions. The original Telemann works are shared between the two players, mixed with counterpoint to enhance the authentic solo works. The result is equally suitable for formal recitals and recreational duet playing! The present publication includes two performance scores of their settings of Fantasias 1-6, with a Volume II to include Fantasias 7-12.____________________ __________________Text from the scanned back cover:SHARON SPARROW is Assistant Principal Flute of the Detroit Symphony Orchestra. She began musical studies on piano at age four, but it was the flute that led her to the Juilliard School for a Bachelor degree with Julius Baker. She received her Master’s degree with Thomas Nyfenger at the Mannes College of Music. Sharon’s professional career began in the Memphis Symphony, followed by tenured positions in the Fort Wayne Philharmonic and Detroit Symphony, and guest positions in the Hong Kong Philharmonic, Baltimore, Chicago, and Pittsburgh Symphonies. In 2016, Presser published her successful audition training book, 6 Weeks to Finals, and she is a much sought after coach for audition candidates across the country, as well as a frequent Master Class clinician at major schools including Boston University and Peabody Conservatory.JEFFERY ZOOK has been a member of the Detroit Symphony since1992. His formal musical studies began at Interlochen and continued at University of Michigan and the Royal Academy of Music in London. His teachers have included William Bennett and Trevor Wye. A prize winner in the NFA Young Artists Competition, Mr. Zook made his solo debut with the Detroit Symphony as a senior in high school, and has since performed all the Vivaldi concerti with them. He has recorded extensively for MusicMinus One and performed frequently at NFA conventions, including the concerto gala in 2017. Mr. Zook has served on the faculty at University of Michigan and Oakland University. In 2002 Zook and Sharon Sparrow founded the Detroit Flute Connection, a series of masterclasses for flutists.

Chamber Music Piano

SKU: PR.140401320

Composed by Eubie Blake. Edited by Lara Downes. Arranged by Jeremy Siskind. Sws. Score. 8 pages. Duration 3:45. Theodore Presser Company #140-40132. Published by Theodore Presser Company (PR.140401320).

ISBN 9781491134177. UPC: 680160684274. 9 x 12 inches. Key: F major.

LOVE WILL FIND A WAY is one of the great hits of the 1920s – an era of remarkable cultural growth giving rise to “The Roaring '20s,” “The Harlem Renaissance,” and a fun-loving society known for the Charleston dance craze and the surge of jazz into the mainstream of American music. A song from Shuffle Along, the first all-Black Broadway musical, LOVE WILL FIND A WAY has been arranged by pianist Jeremy Siskind especially for Lara Downes’ recording that launches the Rising Sun series.
According to Langston Hughes, Eubie Blake’s 1921 Shuffle Along was the real start of the Harlem Renaissance. In Hughes’ words: “Everybody was in the audience, including me. It gave just the proper push, a pre-Charleston kick, to that Negro vogue of the '20s that spread to books, African sculpture, music, and dancing.”As Broadway’s first all-Black hit musical, with an all-star cast including Paul Robeson and a young Josephine Baker, Shuffle Along ran for an unprecedented 504 performances in New York, then toured nationally for three years as the first Black musical to play in white theaters across the United States. The show’s appeal to a multi-racial audience, and its integration of the jazz and Broadway communities, not only changed the history of the American musical theater, but made important strides forward in American race relations.Love Will Find a Way is one of the show’s most popular tunes. This intimate, pensive arrangement by Jeremy Siskind celebrates the song’s centenary by making it a love song for our own time as much as its own – a reminder that no matter how dark the path or how gray the skies, love will always find a way.

Chamber Music Piano, Solo Viola, Solo Violin

SKU: PR.114414020

Composed by Behzad Ranjbaran. This edition: Piano Reduction. World Premiere at St. Bede, Williamsburg, Virginia; Virginia Symphony Orchestra, JoAnn Falletta, Conductor. Contemporary. Set of Score and Parts. With Standard notation. Composed 2009. 44+24+24 pages. Duration 20 minutes. Theodore Presser Company #114-41402. Published by Theodore Presser Company (PR.114414020).

ISBN 9781491101339. UPC: 680160590537. 9 x 12 inches.

[Virginia Symphony's] music director, JoAnn Falletta, and Ranjbaran were classmates at Juilliard. ...[In 2008] Falletta received a special award from the American Society for Composers, Authors and Publishers (ASCAP) for championing contemporary music; the prize included an opportunity to commission a new work. 'When ASCAP gave me the award, I immediately thought of Ranjbaran,' Falletta told Virginia's Daily Press. 'I've had a long professional relationship with him, and I love his music.' (Iran Times International, October 23, 2009) Virginia Symphony premiered the Concerto on October 22 and 24, 2009, with Concertmaster Vahn Armstrong and principal viola Beverly Kane Baker. Watch a 10-minute YouTube video of the soloists discussing preparation for the premiere. The Concerto is constructed in three-movement, classic A-B-A form. For advanced performers. Duration: 26' See sample pages:http://www.presser. com/marketing/newissue/13 _11/11441402_Ranjbaran_Co ncerto_VlnVlaOrch_sample. pdf.

(Arrangedfrom Strophes I, II, IV of Computer Cantata). By Lejaren Hiller. Arranged by Robert Baker. Audio CD. Standard notation. Published by Theodore Presser Company

41 Favorite Hymns for Elementary Pianists. By Arthur Cottman; Arthur Seymour Sullivan; Conrad Kocher; Felice De Giardini; Frederic A. Challinor; Frederich Charl Maker; George J. Elvey; George J. Webb; Henri F. Hemy; Henry Baker; Hugh Wilson; Ignaz Joseph Pleyel; J. Michael Haydn. Arranged by Katherine Beard. Solo piano. For Piano Solo. Solo part. 32 pages. Published by Theodore Presser Company.

(For Clarinet and Piano). By Adolphus Hailstork. For clarinet and piano. Standard notation

(Remembering Julius Baker - for 2 Flutes and Piano). By Gary Schocker. For Flute I, Flute II, Piano. Score and parts. Standard notation. Composed 2003. 32 pages. Duration 15:00

SATB choir, piano reduction - Beginning

SKU: GI.G-6609

Composed by Michael Praetorius. Arranged by Rosemary Campbell. Christmastide, Advent 4 A, Advent 4 B, Advent 4 C, Christmas Vigil, Christmas Night, Mary Mother of God. Christmas. Tune Name: Es Ist Ein' Ros' Entsprungen. Sacred. Octavo. 8 pages. GIA Publications #6609. Published by GIA Publications (GI.G-6609).

UPC: 785147660903. English. Text Source: Isaiah 11:1, 'Es ist ein' Ros' entsprungen,' Speier Gebetbuch, 1599; Translation: Theodore Baker. Scripture: Isaiah 11:1.

How best to describe this setting? It’s Praetorius with jazz chords, and every time we’ve heard it sung, singers and listeners alike tend to break into a bit of a Mona Lisa-esque smile of approval. Best sung unaccompanied if your choir has good intonation.

By Michael Praetorius. Arranged by Michael Connolly. For Voices: SAB. Piano reduction. Christmas Sacred. 3 pages. Published by GIA Publications.
Level: easy.